Animation World History

Interlochen Center for the Arts

Page 19 of 21

Actual, Indexical, Illusion Hand

By Max Baker

For my choice of the literal hand in animation, I chose “How to make Jewelry.” The short animation, How to make Jewelry, shows the artists, Guldies (Alex’s), hand. The video is just a minute long and shows the hand making a bracelet. I think the hand was included to help show the story, as the other objects (pickaxe, rocks, beads) were all animated using stop motion. Guldies animations are very cool and I would recommend watching more of them. 


For my choice of animation for the indexical hand was “A KISS IN THE DARKNESS.” A Kiss In the Darkness is a short stop motion animation done by Winsky, an “emerging music project” under the direction of WIllem Kingma. The art style is very gooey and organic, which I thought fit the Indexical Hand. A lot of personality was put into the characters, and while the clay figures might lack refinement or accuracy I think it adds to the character of the piece. I especially appreciate the audio used, the near constant drone of the background noise adds a lot of atmosphere to the film. 


For my choice of animation for the illusion of life hand was “Twins in Paradise” by Vewn.  Vewn is an animator named Victoria. She made this short animation with some others, like Nick Stratton (cool guitarist) who is a part of the band R.I.P. I chose it for Illusion because the story can be deceptive and create illusions which compels the viewer to piece together the story. It’s a very cool short film. I think the use of drugs to simulate distortion of reality shows the audience the artist’s “hand”. It’s used to show the story from the characters perspective, immersing the viewers into their world.

Citing my Sources:

A KISS IN THE DARKNESS – Stop Motion Short Film, uploaded by Winsky, 30 October 2017, https://youtu.be/F640OD_SNU4?si=9iEZn0OQaRlPqgmw

How to make Jewelry. A Stop motion Animation by Guldies, uploaded by Guldies, 11 February 2020, https://youtu.be/2k1Q732q9xY?si=QJyVP0guz5ouYBB0

Twins in Paradise, uploaded by vewn, 17 June 2020, https://youtu.be/IDYxLj3bYds?si=_k3pMEbHsPWCP83D

“Q. How Do I Cite a YouTube or Online Video?” How Do I Cite a YouTube or Online Video? – LibAnswers, chat.library.berkeleycollege.edu/faq/166951#:~:text=The%20general%20format%20for%20citing%20online%20videos%20in%20MLA%20style,Author%20last%20name%2C%20First%20Name. Accessed 14 Sept. 2024.

3 Animations: Hand, Indexical, Illusion of life

By Meghan Warner

Actual Hand- Distortion

I chose distortion for the use of an actual hand because the artist uses their own hands to directly interacts with the claymation at the end of the film. The artist of this animation is Guildies and it is a showcase of their talents in claymation, containing many motion effects and not really having a central “plot”. I believe the artist uses their hands in this piece to show the scale of the objects they’re working with as well as showcase their dedication to claymation.

Distortion (actual hand at 1:21)

Indexical- Isle of Dogs

I chose this clip from Isle of Dogs for indexical because despite the animation being clearly stylized, many elements of the dogs feel very organic or unique. There’s a lot of clear passion put into the animation and actions of the dogs. From the expressions to the fur moving as though it’s being blown in the wind, the film clearly shows indexical quality. The film was created by Wes Anderson with artists from 3 Mills Studios. This specific clip of the animation depicts a dog fight over food scraps on the trash island. I believe the film was created to be indexical to draw in the audience and fit in with the style of other Wes Anderson films.

Isle of Dogs (good example of the fur being windblown 1:02)

Illusion of life- Aristocats

I chose Aristocats for the illusion of life due to the incredibly smooth and detailed animation that makes the animated cats appear incredibly lifelike. Even if they don’t always move like real life cats, the animated drawings feel very alive and fluid. The full film was created by Disney, this specific clip is a pencil test of the cats speaking to each other. The illusion of life is common in old Disney films, most likely as a way to enchant and impress the audience.

Aristocats (0:15 is a great example of fluidity, also looks like the Milt Kahl head swaggle)

Sources:


ARISTOCATS Pencil Test- pencil test of a 2D animated film, uploaded by Andrea Deja, August 18, 2021 https://www.youtube.com/watch?v=JbXrTebZQq8

Isle of Dogs official clip “Ok, it’s Worth it”- Clip of a stop motion film, uploaded by Searchlight Pictures UK, Feb 7, 2018 https://www.youtube.com/watch?v=2Lxqzem01IU

Distortion, A stop motion film by Guldies- Stop motion short film, uploaded by Guldies, Jan 22, 2019, https://www.youtube.com/watch?v=tZqIQmdSa1E

Actual Idexical Life

Alice’s Wonderland was produced in 1923 by Laugh-O-Gram Studio under Disney and is the first in a live-action/animated short in The Alice Comedies series. It demonstrates the use of Actual Hand by incorporating several animators working on the short and establishing that they will “draw some funnies”. The main character Alice visits the Laugh-O-Gram Studio and meets several animators including Walt Disney, who show her animated scenes at their drawing stations. It’s a cute, fantastical little setup that communicates that these animators are real people making these cartoons. 

After seeing several fun animations (including what seems to be an obligatory cat-boxing scene) Alice goes home and goes to bed, where she has a delightful and whimsical dream. In the dream, Alice is welcomed to “Cartoonland” by a variety of cheery animated animals which the live actress Virginia Davis interacts with. 

The Animators working on this short were Hugh Harman, Rudolf Ising, Ub Iwerks, Carman Maxwell, and Friz Freleng. Double dipping on layouts and backgrounds was Ub Iwerks and Carman Maxwell respectively.

✅ Curta – Alice`s Wonderland – 1923 🎥

Alice’s Wonderland – Wikipedia

James Baxter is a great example of a distinct figure who often goes unnoticed as a significant part of many famously beloved animated movies and series. Known for a wrenchingly beautiful sense of fluidity and 3-dimensionality in his traditional 2D animated work, upon seeing examples of it his work stands out from the crowd and is arguably Indexical in its natural state. A direct example of this, however, would be in the nineteenth episode of Adventure Time season five airing in 2013, titled “James Baxter the Horse”. In the episode, the titular character (who is a horse named James Baxter) frolics around the land of Ooo, cheering various characters up and making them happy with his ball-balancing act. James Baxter the Horse is both guest-animated and guest-voiced by the real-life James Baxter

This episode has very indexical elements to it because of this delightful incorporation of a stand-out artist. Baxter’s work is recognizable enough for the trained eye, and incorporating his voice acting and a sweet little title card depicting the horse at an animation desk adds another layer of whimsy and involvement. 

James Baxter the Horse – Wikipedia

James Baxter | Adventure Time | Cartoon Network

James Baxter Animation Reel

James Baxter the Horse | Adventure Time Wiki

Aside from the clip we’ll be observing as a stand-out example, Jason and the Argonauts 1963 is chock-full of amazing stop-motion effects. It’s well known for these effects and iconic creature design owed to stop-motion animation visual effects artist Ray Harryhausen. It attempts and debatably (for the time) succeeds in creating an illusion of life. In the famous skeleton fight scene, the skeletons feel very real in their movements, the stop-motion element adding to a sense of three-dimensionality, rivaling many effects of today’s industry in quality, relatability, organic motion, and appeal. 

Fighting Off The Children Of The Hydra’s Teeth | Jason and the Argonauts | Creature Features

Jason and the Argonauts (1963 film) – Wikipedia

https://www.rayharryhausen.com

Ray Harryhausen

Hand of The Artist

For both indexical and “the illusion of life”, I chose the movie Who Framed Roger Rabbit? This movie fits in indexical and illusions of life by incorporating live action and animation into one, and having fluid motions with the animated characters. I think that the goal for making animation look realistic in the real world played out really well.

Who Framed Roger Rabbit? is a movie about Roger Rabbit trying to get information on a scandal that involved his wife, Jessica Rabbit. But when Jessica’s affair partner is found dead, people pointed to Roger being the main suspect.

The animation was done by Richard Williams, and Walt Disney Animation Studios.



For the hand of the artist i chose Fantastic Mr. Fox, directed by Wes Anderson. I think that this movie fits in this category because of how all the puppets are made of fur and cloth, and you can easily see that they sometimes move through out the entire movie, no frames are the same.

Fantastic Mr. Fox is a movie about a fox who steals from the farmers around the area, but that causes everyone he knows, and himself, to be hunted down by said farmers.

The animation was done by 3 Mills Studios, with puppets made by Mackinnon & Saunders



Works cited

https://en.wikipedia.org/wiki/Who_Framed_Roger_Rabbit

https://en.wikipedia.org/wiki/Fantastic_Mr.Fox(film)

The Indexical, the Hand, the Illusion

The INDEXICAL

“Rooty-toot-toot, right in the snoot”

THe bartender

For my choice of an INDEXICAL piece of animation, I decided to go with the 1951 animated short ‘Rooty Toot Toot‘ by John Hubley. This piece is an incredibly well known and incredibly fun animated short centering the court case of a character named Frankie (pictured above), who “allegedly” shot her sweetheart for thinking he cheated on her. It is told in a musical form and is in a heavily-stylized East Coast animation style. The Hubleys (John Hubley and Faith Hubley, his spouse) have coined a style very unique to them. When watching Rooty Toot Toot, you can recognize the style behind it. You can see the shapes that make up the characters, partly because they are woven into the designs, and then played around with within the animation. (Another film of theirs that I would call ‘indexical’ would be Moonbird, as even though it is a finished film, you can see the sketches of the characters and how they are over-layed with their surroundings and backgrounds.) This example is a very modest example, as Moonbird and Windy Day (also by the Hubleys) are more extreme examples, for this assignment I wanted to stick with things that I am more familiar with, hence why I chose Rooty Toot Toot.

You can watch Rooty Toot Toot with the link above. It is available on Youtube.

The HAND

For my personal choice for THE HAND in animation, I decided to go with the 1939 film by Len Lye, ‘Rainbow Dance’. This film was made using -at the time- breakthrough technology. It was ‘live action’ in the sense that there were people in front of a camera, but it used Pixelation, Augmentation, Color (before colored films were being made), and stunning VISUAL ANIMATED EFFECTS! Although Elvis Costello had the first animated music video with his hit song “Accidents will happen” in 1979 (which is admittedly the first ‘fully animated music video’, not just animated in general-), this animated film was a lot like one big animated music video! I encourage that when you watch it, you view it with this lens, as well as without! It can give you some fun perspectives! Len Lye is famous for working with colors and shapes, especially to music. In fact, the cover image of the animation world history blog is a snapshot from one of his films! How cool!

You can watch Rainbow Dance in it’s (I believe) full entirety here on Vimeo!

The ILLUSION

“Not lonely at all”

THe tree

For my last style, ‘the illusion of life’, I chose the soviet animation ‘The Tree and the Cat’. There are so many great examples of illusion of life. From storytelling to worldbuilding. It can be complex and fantastical- but something I love about ‘The Tree and the Cat’ is its simplicity. It is told much like a fable. I absolutely adore the style, the animation, the colors, the backgrounds and the personification of both the cat and the tree. I love the message it tells, it is not just a story but it hits you in the feels. It makes you think. It pulls you into the world and makes you feel as if you were the cat, only to reveal that all along, you were the tree. The illusion that yes, trees can talk! Yes! Cats can talk! It brings you in on your human experiences to create this illusion of a story that resonates with the viewer while also being a magnificent piece stylistically (art/animation wise) as well. It is work like this that really inspires me.

You can watch the full short here on youtube with english subtitles^

Works Cited

The Tree and the Cat. (Дерево і кішка) Directed by Yevgeny Sivokon, performances by Davyd Babaiev, Sergei Filimonow. Animated by Kievnauchfilm. (1983)

Rooty Toot Toot. Directed by John Hubley, Performances by Thurl Ravenscroft, Annette Warren. Animated by Art Babbit, Pat Matthews, Tom McDonald, Grim Natwick. (1951)

Rainbow Dance. Directed by Len Lye, performance by Rupert Doone. Music by Burton Lane. (1936)

“IMDb”, (https://www.imdb.com/title/tt0028156), accessed Sep. 11, 2024

“IMDb”, (https://www.imdb.com/title/tt2443150/?ref_=ttrel_ov“, accessed Sep. 11, 2024

“IMDB” (https://www.imdb.com/title/tt0043980/), accessed Sep. 11, 2024

“Vimeo”, (https://vimeo.com/191289129), accessed Sep. 11, 2024

“YouTube” (https://www.youtube.com/watch?v=zl3xoKrgabY&list=PLW4PZJfG0c4PIoczP0dq1lhktZ-vW9aYk&index=19) accessed Sep. 11, 2024

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